The Order

Today's featured episode is "Smart Glasses Are Ushering In an Anti-Social World ft. Chris Gilliard" from Tech Won't Save Us.

This is a good episode for a number of reasons. First of all, it reminds us that just because tech companies want a thing, and invest a lot of money to convince you that this thing is the inevitable progression of humanity, you can as an individual reject that thing and convince others to do so too. Google Glasses are a great example of a thing that was heavily pushed but no one other than glassholes wanted it, and so people were shamed, mocked, and bullied out of public spaces for wearing them. This is a good use of shame, bullying, and mockery. (Note: Chris points out that the latest attempt at making glasses that control you happen is a bit different, as it's being aimed at controlling workers rather than as a status symbol for the rich. Obviously, do not bully an Amazon delivery guy for being forced to wear them.) Another great comparison is the Metaverse—Zuck spent a fortune on his fantasy of not having a body that sweats too much, and no one bought it. No one asked for LLMs and you—yes you, one person who thinks you're too insignificant to do anything—can stop them from being forced on you. We finally get to use our mean girl powers for good, and I have a mean streak a mile wide.

Another thing that kind of blew my mind is the way Chris talks about the phases of Big Tech-driven media—first it was used to connect you to your friends (and make you dependent), then it was about a trade where the companies gave you connection and visibility in exchange for privacy, and now the deal has shifted. You are expected to be controlled by the technology. You are now being programmed and instructed. Chris notes that some people very much desire this as it reduces decision fatigue. Of course this dovetails nicely with the broader move towards fascism in former Western democracies.

Finally, there is some good talk about affordances. An affordance is basically what the environment or technology allows you to do. A button allows you to press it. A car not only allows you to go faster than you could otherwise, but it creates physical and geographic isolation, the development of suburban spaces around roads rather than common areas, and reactionary politics caused by mistrusting your neighbour and especially Those People In Cities. The replacement of Dreamwidth-style fixed-page scrolling on most social media sites by endless scrolling is what enables social media dependency and doomscrolling. Etc. Chris talks about what, specifically, LLMs are designed to do as their ideal use-case, which is forcing your worldview on someone else. They are primarily for deepfakes, stalking, propaganda, and CSAM. That you can do other things with them is a side-effect. I think this is a very strong argument and not one I'd really thought about. The characterization of LLMs as an inherently antisocial technology is not one I'd thought much about either.

Never forget that our billionaire enemies are forcing LLMs into everything because they want girlfriends without having to talk to women, they want slaves without having to see a Black person, and they have a fantasy of immorality via being uploaded into Machine Heaven. This is fundamentally silly and risible and actually batshit insane, and you are smarter and more reality-based than they are.

Just finished: Girls Against God by Jenny Hval. I really don't know what to make of it. It's one of those very cool concepts—body horror! time travel! art! black metal! feminism!—that fails somewhat in execution but fails in interesting ways. It's divided into three parts, the first being a stream-of-consciousness rant by a girl who joins a Norwegian black metal band/aspiring witches coven a few years too late, after the scene has fallen apart, and her desire to rebel against the patriarchy and religion. By the end of the first section I had gone from "well, this is how teenage girls sound, this is how I sounded when I was a teenager" to vaguely annoyed. But then the second two, which are hallucinogenic body horror fever dreams, absolutely whip. I wanted the whole book to be like that.

Currently reading: The Magic Words: Writing Great Books for Children and Young Adults by Cheryl B. Klein. Why am I reading a book about writing YA when I have no desire to ever write YA, and knowing the thoughts of teenagers is something I strongly feel I should not have to do without financial compensation? Well, because I got into a discussion with another writer about craft books, and how I don't normally read them, and he recommended this and another one to change my mind about craft books. And also because I seem to have written myself into a situation where I have a teenage POV character, and despite being surrounded by kids all day, writing as one is a whole different ballgame.

So far it's pretty good—I rather like the brainstorming exercises at the end of each section, and the respect that the author has for really good children's/YA fiction (which does, of course, exist, and there's probably even more of it than when I was young, but I wasn't particularly interested in reading about teenagers when I was a teenager). It's 2017 though, so there's a lot more praise for a certain Formerly Beloved Children's Author than she deserves, so if you're going to read it, be warned.